20Fold Instrument Designs

My instrument designs implement purposeful functionality while maintaining a unique, cohesive aesthetic.

In order to achieve predictable results, I test, evaluate, and compensate for the material properties of the tonewoods I use.  Though most tonewood is graded according to its beauty, it is the wood’s density and stiffness that directly impact the instrument’s sound.  These techniques I learned from the practices and teachings of Trevor Gore and Simone Bonanomi (of Hub of Acoustics). 

Each element of my instrument designs are heavily influenced by my intuition, experience, and well-trained ear as a professional musician.  The ergonomics, acoustic character, responsiveness to various techniques, intonation, action, body shape, soundhole placement, internal bracing systems, elevated fingerboard, adjustable neck joint, and countless other elements are developed to serve the ultimate musical intent and purpose.

I employ acoustic design and voicing techniques (modal tuning) based primarily on my study of the methods and teachings of Trevor Gore, Rye Bear, Martino Quintavalla, Simone Bonanomi, and Giuliano Nicoletti.  Using these techniques, I am able to influence the guitar’s final tonal qualities and response in a more consistent and predictable manner.  

I enjoy hands-on woodworking and perform most functions of the build process with traditional hand tools.  However, when there are tasks that require extreme precision, such as fret slot placement, I gladly welcome the improved consistency that  CNC machining offers.  This combination gives my instruments the advantages of technological precision in addition to the irreplaceable benefits resulting from a single builder personally handling, working, and inspecting each element of the guitar throughout the building process.